The real world.
This is from That’s So Raven, where Chelsea and Raven apply to work at the same clothing shop. Chelsea is white; Raven is black. Chelsea gets the job, despite being utterly horrible at it, while Raven, who has a deep interest in fashion and knows how to handle clothes, does not. The girls find this deeply suspicious, so Chelsea wears a hat with a camera on it and questions the employer. The employer admits what she does in the gif above and Chelsea and Raven submit the footage to a news station.
And THAT is why That’s So Raven is the best TV show ever.
That’s not even the only reason why it was the best show ever
I dont just do this with people I know. I try to help everyone
i will reblog this every time
I worked with a lady that came into work one day with no hair. No one mentioned it, no one talked about it. She was wearing a bandana so we all knew she was bald.
But I have ADD, and not so great control of my impulsiveness. Finally, near the end of the night I asked. “So… can I ask, what happened to your hairs?”
She smiled and hugged me. I was the only person with the cajones to ask. “My best friend is pregnant, already has a 4 yr old, and was diagnosed with cancer, and her boyfriend left her because it was too much. So I’ve been helping her out, being supportive. And I promised her if she started losing her hair I would shave my head too.”
“Last night she called me, crying because her hair was falling out in clumps. I told her I’d be there in 10 minutes. She shaved me first, then I her.”
It’s the most supportive thing she could think to do.
I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you :>
I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes.
Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles.
The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all. I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without.
A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.
Best used for smooth blending, washes, gradients, and smoky atmospheric effects.
Basically a grittier version of the watercolor tool, because too much smoothness weird me out. Good for clouds and fog, as the name suggests, or just less boring gradient fills.
To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always this one, which I scanned and edited myself. You’re all welcome to use it, no permission required!
Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. That’s it!
Want a more prominent texture? Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity. You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety.
Hope that helps!